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January 26, 2010

On Writing Horror: The Art of Madness or the Madness of Art

aJoyce Carol Oates is a strange combination.  She is both literary and genre writer.  Yet, with this going on, she is not shunned by either one.  This is a strange place to be in the literary world.  Not only does she span both literary ideas, she does so unabashedly.  She doesn’t mind people knowing that she writes genre fiction.   So who better to write an essay on the madness of art?

Oates in her essay actually never calls herself a “horror” writer.  She calls her horror fiction gothic.  The thing is that Gothic is not a genre in its own right.  Many different genres including literary can have a gothic theme or feel.  It is really a theme more than a specific genre.  So in her own way, Oates is denying that she is a genre writer.  Is she then ashamed of writing a genre?

Oates doesn’t seem to be embarrassed of her genre writing.  She really explains that all writing is commercial, which seems to be new vogue word for genre writing, but some isn’t as commercial as others.  She seems to believe the most important part of writing isn’t the genre but the story itself. 

All writing is madness.  For that matter, as Henry James said, all art is madness.  When you get to the bones of it, creating a work of art either: portrait, story, or song the creator relies on insanity.  We (and by this I mean the artist, writers in our case) listen to the voices in their heads.  A symptom of psychosis is hallucinations.  A hallucination is the perception of a stimulus when none is present.  Writers and musicians rely on this voice.  They even talk about in critique compositions.  “I can really hear your voice in this piece.”  A writer does not actually use her voice when writing.  She uses a voice in her head that is right for the story.  The songwriter and musician do the same thing.  So, a writer creates from a sense of madness. 

So does that make all artists clinically insane?  Oates doesn’t think so, nor do I.  Mental illness, especially those with psychotic features, aren’t cognitively processing enough during times of “insanity” to writer or compose anything near lucid.  What Oates means is there is madness in what an artist does.  She spans two separate literary worlds than do not care too much for each other.  Literary writers consider genre writers hacks, and genre writers think that literary writers are hoity-toity.  She’s crazy for trying to be both.  Beyond that, writers are crazy are in general.  They write a story that is completely made up.  The characters are not real people even if they are based on a real person.  The plot is contrived even the settings are just matte paintings sometimes of familiar things, sometimes of fantastic creations.  The writer sets everything up and makes it move to the music in her own head.  She gives the whole shebang a voice that is not necessarily her own but one residing in her frontal lobe.  Then to do the ultimate form of insanity, she tries to put it on display for “sane” people to see and deal with.

Henry James as quoted by Oates said that art is mad.  Of course it is and the artists are even madder for making it. 

I can say this, for maybe the first time ever that I’m happy to be a little off because I love writing.  If writing is crazy, lock me up in the state hospital.  I’ll even tell you how to do the commitment.

January 19, 2010

The Residency

It's been a few days since I came back from my 4th residency at Seton Hill University. It was an enjoyable time.  I presented the 11th chapter of my novel for general critique.  Suprisingly, I didn't have to do very much defending.  It seemed to go over well, which I think bodes well for the work as a whole.

I received positive feedback from my mentor, Mike Arnzen, PhD, and Stoker Award Winner.  I feel better and better about this project.  I've even put down more words on paper, or in this case on screen.  A suggestion he provided has added to the story as well.  I'm adding quotes at the beginning of each chapter, either from the Bible, different public domain hymns, and quotes from a fictional book that is part of the canon of my novel.

 This residency left me cold and tired, but triumphant.  I feel that I may make it and get an MFA.  I was going to say make it and be a writer, but I'm already one of those. 

By the looks of things, 2010 is going to be a positive year for writing.  I'm glad.  I had a hell of a bad 2009. 

Keep looking up, I suppose

August 01, 2009

Writing Killer Fiction

I just finished reading How to Write Killer Fiction by Wheat.  Wow!  I usually never say that about a writing book or style manual but this book really made me think.  She throroughly discussed the differences in mystery and thriller styles but also the differences in the way they are written.

I realized while reading this book exactly what kind of writer I am and have been.  I also realized via this book and the reboot of my thesis novel what type I need to be. I have always been what Wheat calls a "blankpager".  I never write out an outline before I start to write.  I mostly outline in my head and keep it there.  The problem is as I've gotten older (I have a magic date birthday coming up soon.) and become more stressed with my two jobs, I can't hold as much in my memory without letting some things slip.  I don't like to admit this because I keep everything in my head from appointments to phone numbers, email address to birthdates and other important facts and figures.  This has hurt me greatly.  I believe the best evidence for this was my original thesis project.  I had an outline in my head that actually had a central plot, but somewhere in the mix of psychology notes and stastics, and phone numbers for half the mental health centers in Alabama, it got lost.  If I had been an "outliner", i wouldn't have lost this as readily.

I'll admit that one of the reasons I have avoid outlines is that I felt it hindered my creative ability to be flexible in my story.  I'll see or hear something and say "that would be great."  As I read, this book I realized that a outline can be made to incoporate changes.  I also learned this outling for my new thesis novel.  I wrote at times a specific outline even adding in dialog for that section but also some generalities like "put something creepy here."  I think, and whether or not this was Wheat's intention, that an outline can just keep you focused on the central plot and makes sure you have it running through the story.

Another thing she discussed was the arc system.  By nature, I'm a short story writer.  I like the small bite-sized story.  For one thing, I don't get bored with it.  Novel writing gets boring about midway and then picks up toward the end, but  you have to push through that boredom.  The arc system seems to  me a wonderful way to keep things in perspective.  They make it so you write small sections of story with that central theme running through them.  I had done this my outlining process and not even realized that what I was doing.

Writing is an amazing job/hobby/academic pursuit/coping skill/art/enjoyment/guilty pleasure.  You can learn so much you didn't know tot make it more enjoyable, but you can also realize that you've been doing stuff you didn't even know had a name.

Although I write mostly horror and occasional absurdist fiction (a new interest of mine), I drew alot out of this mystery and thriller book.  I think that everyone should read it. But it may be my belief that you can learn much about writing from anyting about it.  I have journalism books that I learn about writing from.  I've sat through Romance writing worshops and writing for the Christian market (and let's be frank, Hillybilly rape ain't big in that market.) and I always bring something away with me.

How to Write Killer Fiction can teach you how to write killer fiction but not just stories about killing, fiction that will slay the reader.

July 24, 2009

Old school gothic stories.

I'm going to talk a bit here about old school gothic stories.  This is a preface to the beginning of my new horror documentation.  The thing is; I hate gothic stories.  I hate the way they are written.  I hate the language they use. 

The stories are supposed to be all creepy and then they just don't pay off.  The stories oftentimes deal with ghosts, which aren't my favorite subject.  For some reason, I can suspend disbelief for just about anything, werewolves, vampire, zombis, but ghosts I just can't do it. 

I also don't like the old school stories because they are or feel so hokey.  The ideas of alchemey and witchcraft just don't amaze me.  The old science ideas that come up in this literature seems so unreal to me, that it causes me trouble.  I even try to read the stories as a product of their time. I still can't get into them.

The last thing that bothers me about these kinds of stories, is they are so often written in letter form and break down the fourth wall.  They address the reader and play with them.  I don't like this in books.  It annoys me to no end, for the gentle reader to be addressed so much.  I generally dislike in all literature that it is found in, but it seems more prevelant in 1700's and early 1800's literature.  Give me a break.

But anyway.  I've made my rant against old gothic literature.  Now I must read some.  (Actually, I've already read a particular story, I'm just waiting until next week to do my discussion of it.  Needless to say, I'm going to have some issues with it."

Goodbye old gentle reader.

July 21, 2009

A Time to Read More Horror.

I started this blog in January to discuss the readings for the Readings in Genre.  Now a new semester has started and soon this blog will become focused on the new readings.  As time has passed I've kept up with other readings I have done, and discussed what I've learned from them in terms of writing. 

I look foward to discussing some old classics this time as well as some new classics.  I'll be reading some authors that as of yet, I haven't breached.  This will be interesting to do. 

While I review stories I have to read, I'll be filling in some that I'm reading for other reasons.

So, I think the book I look most forward to reading this time is Psycho.  I've seen the movie, and enjoyed it.  I'm hoping to enjoy the book as much.  I hope that it doesn't disappoint me too much.  I know how Hitchcock liked to change his reference material significantly for his books.  (The Birds.).

So, The new semester has begun, and there is a time to everything.  A time read more horror and a time to refrain.  A time to write more about horror and a time to write fiction.  A time to freak out and a time to freak out others. 

 

July 17, 2009

Writing Science Fiction and Fantasy

Writing Science Fiction and Fantasy by Orson Scott Card was a quick read for a writing book.  When I started it, I thought to myself, "why am I reading this book?  I don't write sci fi or fantasy."  I figured it out not long before finishing it.  The elements he talked about using were just as important for writing any type of fiction as it is for scifi or fantasy.

I took notice when discussing world building.  I have always thought of this just for fantasy and sci fi.  The term always seemed to mean to literally build a world.  If it was sci fi, then the planetary issues and fantasy the world of the fantastical.  The thing is any world in fiction has to be built even when it is the real world.  Certain aspects of the fictional world have to be totally understood and sold.  If the story has factors of laws that don't exist in our world, let's say that after 3 attempts of suicide the person has to be killed.  This story needs a world to be built  This world is where some law makers have decided that the time for rampant suicide attempts were over. 

Although the above is a "real" world scenario, there are not laws like that.  It has to be built so that the reader will accept it.  This is an easy example, but so much must go into it. 

As I read Card's book further, I realized that horror is a form of fantasy even when it is in the real world. Monsters aren't real, but writer's bind them with their own laws and rules.  Maybe the monster can come out in the day light but not at night.  Maybe it eats only little children.  Maybe it's afraid of Chuck Norris and all images of him.  This is all world building.

The most important thing from Card's book is the MICE algorythm.  This helps the writer determine what type of story they are writing.  M (milleu) I (Idea) C (character) and E (I don't remember, but I've go tthe book at home) [I do a lot of blog writing from work].  This is helpful because when writing and a plot is waffling looking at the MICE will help determine where the story should go or if it needs revamping or not from a different perspective.

I enjoyed this book on writing.  The most important thing it provided was setting me to thinking about the art of writing and how to get plot and things straightened out.  The book is rather old now.  It's pushing 20 years, but I've read them much older like Elements of Style  or On Writing Well by Zensser.  The book still holds true.

July 01, 2009

Pen Name

I've been thinking about pen names that I may need to start using to keep my identity secret.  My mentor said that with my novel, I might be needing to keep my true identity secret because kooks could find me.  (They already know where I'm at.  I work with them daily.)  So I've been racking my brain to figure out a good nom de plume.

I have always liked Vickery because it is a mysterious sounding name and there isn't too many of us floating around out there.  Here's some i've come up with

Vic Kery (or come variation: Vic Kerry, Vic Carrie, Vic Carre, etc.)

J.W. Vickery (just my initials)

W. J. Vickery (My intials backward)

V. J. Wade (My middle name as my last)

Vic Kerry Waid (again a variation on my name Wade is my middle name it was mother's maiden spelled like here)

V. K. Waid (or a variation)

J. V. Waid (or Variation)

Kirk Twist (just like it)

Ian K. Ennoy

Or of course

Norm D. Plum.

Well, When I decide, I'll post something.

 

June 30, 2009

The Res

I just finished my third residency at Seton Hill University.  I had a good time and learned alot, but the issue now is that I am needing to get a lot done in a short amount of time. 

Reading is one of the major things I need to get done.  Not only do I have a mass of books to read for a course, I have a large selection that needs to be read for furthering my thesis.  I also have to start rewriting my thesis novel.  This is a matter of much importance.

Besides that, I had fun watching friends graduate.  I also saw a scary future for residency without them. 

 

June 11, 2009

Lessons from James Patterson

I am not a huge fan of James Patterson.  My mother loves him and I tried to read him a while ago.  I didn't care for him. 

I did, however, hear an interview with him on NPR recently.  He discussed his proflic ability to write up to 9 novels a year.  Of course he works with others, and that's not the lesson I learned.  I should've already known what I learn but I didn't.  He said that when he edited a book or drafted it after the first draft, he lef the spacing between lines at about 3 or 4 spaces.  He stated that he wrote in those spaces.  I think that this is wonderul idea and i plan to use this the next time I start drafting.